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(performer: "The Gold Diggers' Song (We're in the Money)", "I've Told Ev'ry Little Star", "Beyond the Blue Horizon", "The Continental", "Steppin' Out with My Baby", "Sway", "Cheek to Cheek", "Dance with Me" - uncredited) I begged them [the producers] to give Carol Brady a job. I mean, those clothes, for God's sake, take a look at them! But I said, 'Can I just hit the kids every now and then? had been using her face on a t-shirt with the name "Porn Queen" underneath.A gift shop in Cotati, California also used her picture in an ad. (performer: "Hooray For Hollywood", "Make 'em Laugh", "Hooray For Hollywood (reprise)", "Evergreen", "Catch a Falling Star", "You Are My Lucky Star", "Don't Let the Stars Get in Your Eyes", "Good Morning Starshine", "Shining Star", "United We Stand") - Episode #1.1 (1977) ...(performer: "Yankee Doodle Dandy", "Razzle Dazzle", "Send in the Clowns", "Heart and Soul", "Happy Heart", "Heart of My Heart", "How Can You Mend A Broken Heart?She has also garnered several nominations at the Blues Music Awards from The Blues Foundation. Joining Breit on this all-instrumental album are Vincent Henry (Amy Winehouse, Tom Waits), Michael Ward Bergeman (Yo Yo Ma), Davide Di Renzo (Cassandra Wilson) and Gary Diggins (R Murray Schaffer).Without doubt, Kevin Breit is one of Canadas most intriguing musicians.A cover of Reverend Gary Davis Death Dont Have No Mercy goes deeper than deep in true Davis Piedmont tradition. You Should Have Known, a digital-only single from legendary Canadian western singer-songwriter Ian Tyson, unapologetically celebrates the hard living, hard drinking, hard loving cowboy life.

It can be a tough pill to swallow at times, but I appreciate your no-nonsense advice.

Last time out with the old-world, mandolin extravaganza to deliver a (largely) instrumental set of guitar-based tunes to evoke a smarmy, 60s lounge-vibe with Duane Eddy accompaniment.

Blasting out the set in ten days, Breit called upon friends to provide select overdubs, but what we have here is essentially Breit concocting his own experiments in vintage sounds much like Neil Young once did (in a different vein) with the Shocking Pinks. While one digs (and really, no other word is as appropriate) what Breit has done with this recording, after four or five songs it tends to blend into one extended jam of righteous coolness.

Always a sucker for a bit of Yakety Sax (or yakety axe), I Got Em Too is a favoured romp.

However, other pieces appear little more than excuse for playful song titles as evidenced by Cozy With Rosy and Zing Zong Song, which initially borrows from theme, before sliding into Los Straitjackets territory. None of which diminishes the obvious skill and artistry Breit possesses, nor the encompassing appeal of this recording. Earl has worked with his band The Broadcasters for almost 30 years. This album is dedicated to the memory of long-time Broadcaster bass player Jim Mouradian.

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